Dec 23 2009

Images of the stray

Click on the above images to see them larger.

On my birthday (about 2 weeks ago) my husband and I received a phone call from a neighbor asking us if we would like to possibly adopt a dog. Friends of a friend of a friend had found this dog running around in 3 lanes of traffic and quickly put him in their car and saved his life. Once they got him home their dog did not like this new addition and they had been trying to find a home for him since.

Having already started the process of adopting a dog (getting the paperwork together from the landlady to bring to the shelter, etc) we were surprised by the phone call and agreed to meet him. Needless to say, the next day he started his new life in the Benson/Trotter family.

Lots of calls started coming in from our friends and family, everyone wanted to see the dog. So I snapped a few pictures of him using the window as my light source and a high ISO. He’s just had the bad surgery so he is wearing a cone, which cracks me up! The pictures are retouched, lowered the saturation, threw in a curves layer and some channel mixers for fun but I would go back and match the colors and tones better to each other if I were to do anything with these shots. Enjoy!


Dec 17 2009

Pricing your work

It is so hard, when you start out there in the world of freelance to price yourself. In 2004, when I graduated from RISD I wanted to jump into working as a full time freelancer. Forget about interning and assisting, why would I want to give away myself like that? Well, a very good reason to do it is there is a lot more to freelance photography than taking pictures. I wish it wasn’t so, I do. But unfortunately it is the way of the world. You need to learn the biz and one piece of advice no photographer is going to give away is how much they charge. But through assisting and interning a photographer will let you inside their secret world of business.

So you get that phone call, someone wants to hire you and wants a quote. It’s a job you are crazy excited to do, and to be honest, you would do it for free just because you are that excited. But that is the #1 mistake you can make! If you don’t put a value on your work, no one else will. So you know better, you know if you offer your services for free and are hoping the client will be excited and think ‘what an amazing person to work with, they’ll do it for free!! I’ll always work with them!’. When really, a serious client is thinking, ‘oops, free? Hmm.. I thought this photographer was really amazing and now I’m not sure. Why would they be doing this for free? What do they know that I don’t’ or ‘oh! I guess this photographer isn’t as experienced as I was hoping. I don’t want to take a risk like that with this shoot.’

Yet even giving a client pricing that is way off market will also leave them thinking your not experienced and can scare them away.

I know how it is in the beginning. Your hungry! You want to have these jobs because it will be building your book and getting you on the right track towards doing this full time. In the words of experience with this, don’t do it! There are many different types of clients out there, and in the same way there are all kinds of levels of photographers. Working with the wrong type of client, especially in the beginning can throw off your whole business plan and mean you end up doing damage control for years!

Friends of mine often get in touch with me because someone wants them to do a HUGE job for them and they are asked to give them a quote. I remind them, it’s not very many times you quote someone and they take it without any problems. A lot of people, especially in 2009 are looking to cut corners but still get everything done. Always, if you hear your client sounding disappointed in the quote see if there is a way to make it work for both of you.

On the flip side of that, there are people who are way off base with the value of photography today. I had one guy want to buy some images from me, license them for 2 years to use in international and domestic adds, make prints of them, etc. He said he was looking for full usage for 2 years, exclusively. It was for quite a few images and I had not been asked for this kind of usage. I looked at stock sites and did a lot of research to find out what the value of these images would be. It was a high number, and I knew he wouldn’t pay it. But that is what the images would make if I sold these rights through those stock sites with that usage. We sat down, had a meeting. I gave him my number and he said he was thinking $100 for the images with those terms. There was no way to negotiate because the prices were so far away from each other. I walked away from that meeting, quickly!

This is a client you don’t want. This is the kind of client that hasn’t made any decisions about what he wants to use the images for/in and just wants to have all options available to him, but also has no idea of the value of an image. You can’t work with a client like this. I never could have given him the images for $100. If I had, it would have been unfair to all of my other clients who are loyal to me and agree to pay fair prices. Other opportunities for those images have come along and they have made me money. Much more than what he was looking to spend. A lot of people intentionally take advantage of younger professionals and despite my age, I look young and have a surprisingly established business for being under 30.

So before you give your quote, look everywhere for rates. Even if it’s the strangers places, like a reputable stock site with the licensing and usage plugged in. But don’t undercut yourself! And be careful how you quote! Again, interning and assisting full time with an established photographer is a great way to hear how they negotiate and handle rates!


Dec 14 2009

Flying with Photo Gear

Ever tried flying with your camera?

Ever tried flying with your camera, laptop, lighting, modifiers, hard drive, tripod and the rest of your gear?

It sucks. We all, even if have never had the opportunity, can agree that although sounding glamours, traveling with all that stuff is just a headache. We can always rent the gear when we get there, if of course we’re going somewhere that is an option. Even then though, is it really worth giving up the comfort of using your equipment to have the discomfort of traveling with it? Forget about the international issues. Making sure you have paperwork for any equipment that looks new so you won’t be accused of buying it over sea’s and required to pay taxes on it, again. Trying to debate how much you can get away with bringing on board with you verses (shutter) checking in your gear cases. The homework of just figuring this out takes an insane amount of time. So luckily there are some other options! The one that I am most excited about is Southwest Cargo. I’m a big Southwest Air fan to start, so their cargo shipping really gets me excited. Of course it’s really not an option for international travel but totally worth looking into for domestic shoots. www.swacargo.com there are photographers who swear by this. You can ship it before you go, it’s a whole lot faster than UPS and cheaper than regular mail.

I highly recommend looking into it!