06/6/13

Professional Photographer Miami | Kate Benson Photography | File workflow

This week I did my final interview with my new intern/assistant/protege (welcome Nadia!) and it keeps becoming clearer with each new helper that I really do love teaching. Photography, especially becomes a guarded secret that many hoard close to their hearts in fear of someone taking their clients. But really, clients will come and go whether or not you share what you’ve learned. At least by helping other people learn how to do this (because, as is often pointed out to me, not everyone can make it) I can help build a higher standard for photographers overall. Or maybe it’s just because I’ve never cared if other people know as much as I do (or more). This, I’m sure, is a result of being the middle dyslexic child stuck between to geniuses. Yes, real ones. Like, both went to Washington DC to either compete in national Mathcounts competitions or meet the president to receive a gold metal for her brain. I’m serious. That really happened. Meanwhile I’m over here like “look mom and dad! I painted you a picture!!!” Anyways, getting off track! What I want to share today is my typical post production workflow. I gave Nadia my notes describing this because I thought she would find it useful and since my last intern Matt is getting ready to go full time shooting I figure he’ll need this too. So I figure, why just send it to him in an email when I can share it here with everyone else who may want to know!

So keep in mind, there are different shoots that command different variations on this. If I can, I always shoot tethered, which combines quite a few steps in here into one. But Since most of the photo enthusiast out there are shooting to cards, I’ll go over these steps for shooting to cards. If any of this gets beyond what you know, feel free to leave a comment and I’ll try and answer any questions you have. Because I’m not going to write down how to use Lightroom or Photoshop. That is a HUGE project and other people have already taught it better (especially on Lynda.com. If you haven’t subscribed and want to learn those programs, do it!!! It is one of the best professional investments you can make).

  1. Load your shot cards to computer (and it’s not a bad idea to back them up on an external HD right now too). I organize my files by date, so if I were doing this today I would put these new files in a folder titled 06_06 NameOfTheClient. I also keep my folders organized like this in the Pictures folder, put a year folder so 2013, put a month folder 2013_06 JUN, and then your new shoot). 
  2. I open the folder in Adobe Bridge and do a first edit. ANY shots I like or the client has said they like gets a rating of 1 star (on a Mac hold down the command key and hit 1) if I REALLY love a picture, it gets 3 stars (hold down command and hit 3). Go through all the images and rate them like this.
  3. Use the filters in Bridge to only show 1 star selections. Now I check the focus. This has to be done at 100% so I select the first image and hit space bar to fill the screen with it. Then click on the place that should be in focus. It will take a second to load and if it is in focus change the files rating to 2 stars (hold command and hit 2). Go through all the files this way.
  4. Select to only see the 3 start files in Bridge. Now that you’re starting to get to know your files, go over those ones you really loved and check the focus on those. This is a bit heartbreaking because every now and again an image you love isn’t in focus. If it isn’t in focus change it’s rating to a 1. If it is in focus and you still love it, change it’s rating to a 4. Check all the 3 star files for focus the same way you checked the others, spacebar, click on place that should be in focus, hold command and the appropriate number for the new rating.
  5. Now you have really narrowed down your images. Sometimes take a short break here to look again with fresh eyes, or if you good keep going. Now go through all the 2 stars and pick favorites. One of the reasons to use Adobe Bridge is because when you have a picture selected you can hold command down and click on another shot (or multiple shots, up to 9) to view them side by side. Your favorites should be marked with 3 stars.
  6. Depending on how many files you have, go over those AGAIN. Narrow it down further and mark the ones you really, really love with 4 stars.
  7. And if you still have a ton of files, do it all again and this time mark the ones you love as 5 stars. I know this seems super repetitive but viewing images are. And if you are tired of a photo after seeing it 5 times it’s probably not worth taking to the next step. Your client will be looking at these images way more than 5 times so take the extra effort to make sure you don’t bore them.
  8. Make a folder in Bridge (make sure you aren’t viewing only 5 star items, if you are you won’t see the folder). Rate that folder 5 stars and then select to view only 5 star items. Now the folder should be within your 5 star selections (or 4 stars, or 3 depending on how many levels of editing you had to do, always rate your folder the highest level of stars you went to). Move all the top rated files into that folder and open it in Lightroom (click and drag the folder into Lightroom or use Lightroom’s navigation to find the folder).
  9. In Lightroom, import all the images you’ve selected to the Library.
  10. Then select Develop and give the images a quick white balance, contrast fix, or apply filters you want. I’m going to be less descriptive here because it takes time to explain how all those items work in Lightroom and this blog would go forever if I did it.
  11. Once you’ve done all the image, Export them. Just for safety I export a high res tiff first and then export them all setting them to be small jpgs for an online gallery.
  12. Post these images somewhere online where your client can view them (box.com, dropbox, picassa, private gallery on your website, wherever).
  13. Send the client and email letting them know where to find review the images at. Ask them to let you now their choices of what they want to use and therefore what will be retouched.
  14. Once they get back to you with the files they want retouched. Open the large files from Lightroom in Photoshop and retouch them.
  15. Once the images are retouched upload them to a place your client can download them from or email them to your client (high res or low res depending on what they ordered).
  16. IF, this doesn’t always happen, actually rarely it happens but it does happen, the client has further retouching they want you to make on the file go back over it make the requested changes. Then send the fixed file back to them.
  17. Backup again, now with the edited finished files. Backing up twice doesn’t hurt either. About 4 times a year I backup my external HD to another. Two copies is better than one. Once they are full, I send them to NH for storage. Totally paranoid I know but a lot of good a double backing up of your archive is going to do you if they are both in your house and it burns down.

Of course there is also invoicing and payment collecting that happens in there somewhere. It differs depending on the client so I left that out.

I think it is important for everyone who wants to be a photographer to see these steps. I didn’t even include in this the steps to retouch in Photoshop or how to correct an image in Lightroom because each photo needs something different and it would take a book not a blog post to describe it. But when you quote a job, and someone feels like the quote is too high because they just wanted a quote for “an hour or two of shooting time”. It’s important to know that for ever shoot you have 16-17 steps to cover to just get the files to a client, without including steps in file retouching. So when you bill your time, you have to consider how much time this is going to take too. I did a shoot for a friend this weekend, we shot for 6 hours Sunday morning and then it took me 8 more hours to get the shots ready to send him. Not retouched.  Just getting to step 12. So be smart about your time and if someone wants to hire you for an hour because they don’t think it will take more time than an hour to capture the shot they want. Always consider how many files your taking and how much time it will take to get the files to them!

I hope this helps some of you who read this!

 

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05/23/13

Miami Photography Studio | Intern/Assistant needed | Kate Benson Photography

So I was going to post this online but then decided to put a call out here first. I’m in a little over my head at the moment and I need some help here at my studio. It will be part internship, part assisting. Pay will depend on what your doing. If anyone is interested in working with me send an email to Studio@katebenson.com. What I would like to know is:

  • Your full schedule. Classes and any other commitments you have, please include times as well as days.
  • What part of the city you live in.
  • Do you have a car? Do you require mileage compensation?
  • Your skills! But the more info you can give me the better, if you say photoshop is a skill, send a before & after example.
  • Your assisting experience (if you have any) listed
  • Any references you have please include (photographers you’ve worked with, teachers, etc)
  • If you want to send examples of your photo work feel free but that is less relevant to what I’m looking for.
  • How long are you interested in this position?
  • What equipment and software do you have (camera? Lights? computer? what’s installed on it? What versions? etc)
  • Skills (of course, list them all)

What I am needing help with:

  • Retouching, both creative images and high volume images
  • Assisting on shoots
  • Business help (let’s copyright some images together, this is a skill you’ll be glad you learned)
  • Research
  • Archived file management
  • New file editing
  • Blogging

There will of course be other things that come up. Right now I just don’t feel like I have enough time in the day and need help with everything. I’m happy to say that all of my past interns are now full time photographers (except one, but he’s a special case and I still have my fingers crossed that he’ll quit his insanely amazing job and go for it, but I don’t blame him for taking that job, it was an opportunity of a lifetime). Of course if you like, I’ll give you contact info of some of my past interns to talk with them about the experience. This is a serious learning position but also a working position. I need the help, which is great, but I also teach. So it is not the place for you if you are just interested in meeting a credit requirement. There are other places where you will be able to get that which will require less of you, and hey, no hard feelings, college is a lot of work so not everyone has this much energy. My last 2 interns already had graduated and that was great because they were able to get a really intense training.

What (I hope) you will learn:

  • How to shoot better and more creatively (of course)
  • How to edit and find your best images (we do portfolio reviews together)
  • How to identify an images needs (It may look great to us but will it look great to an art buyer? Straighten this, crop into that -if your a cropper, etc)
  • Waaaay more Photoshop that you know now. There is going to be a lot of Photoshopping in this.
  • Lightroom work flow
  • Business practices
  • Client relationships
  • Website management
  • Blogging with WordPress (let me know how much you know about WordPress too)
  • More things that I don’t have time to list, hence I need help!

So send me an email, with as much info as you can. Then I’ll get back to you letting you know if our schedules and skills are compatible. I’m posting here first to give anyone who already knows me a chance to respond first and then I’ll post online elsewhere.

 

Thanks!

Kate

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05/17/13

Miami Photographer | Kate Benson Photography | Reflecting

You have to admit, it’s a bit amazing. Beautiful images are everywhere. Flickr, Pinterest, Tumblr, websites dedicated to collecting beautiful images. Recently I heard it mentioned that this has really changed the industry of wedding photography. Brides-to-be collect and fall in love with images of how they want their day to be and be remembered. This becomes an expectation that is passed onto the photographer, pushing them to be better and better. The same is for commercial, business to business photographers. But often, we aren’t being pushed by a client but by ourselves. One of my most loved friends (you know who you are) works for Adidas as an art buyer put it well, “we want to see how creative and exciting the work you do on your own is so our art directors can tell you exactly what to do” (okay, that may not have been the exact quote but it went something like that). This is what my portfolio lacks. I’ve been going through my blog to do some much needed key wording and in full honestly, cringed more than once at what images I posted. In my blog, I post quickly, I think “I liked that shot from today” and write up a little post and publish it. In my portfolio I sit and stare at my images for weeks/months/years and if I still love them after all that time, let is become part of my work that represents me. So naturally, the quality of images on my website blow away those on my blog. As they should. That is what the website is for. It is our portfolio. But the blog still has my name on it and thus, it still important.

So my goal has been (for a couple of years  now) and continues to be, what do I want to shoot for me? Staring for hours and hours at an outstanding image doesn’t mean it is what I want to create. But it does mean that I recognize greatness in a shot (thank you RISD for that). Oh the amazing photo editor I could be (but for the right publication, I couldn’t go through editing pictures of horrific events to find the one that was just the right amount of shock without too much goriness to represent the publication). Once again, those editing skills I can thank RISD for. As I wrote about earlier this week, Mike Brodie really inspired me. But a huge part of starting a project is letting yourself off the hook. It is complete illusion to believe every image you create will sell and will represent you. I have to work really hard to let go of the voice in my head asking “how is this going to market? how is this going to represent me?” and start listening to that other voice, the one that is quieter and yet always there that identifies what I find beautiful. Then, just have a camera with me and shoot. I think by shooting more, constantly, perhaps, I’ll fall into what I love. Around me are amazing people who create beauty everywhere. They create beautiful food, invite me to beautiful places, are just plain beautiful inside and out, and perhaps by not shooting these moments I’m doing them and myself a disservice.

So that is the goal, let’s see if I can stumble upon that thing that I must shoot. Stand bye for hopefully some new images to come!

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12/28/12

2012: Miami Photographer | Recap.

2012: A year of tremendous growth as a photographer and for my business. One of the highlights of the year was being elected to the position of Vice President to our American Society of Media Photographers South Florida Chapter (ASMP-SoFL). I felt missing connections to other photographers in my Miami life. Part of the reason I left the Boston area was because I couldn’t connect with any of the other photographers there. But through ASMP-SoFL this year, I met some truly amazing photographers and people who I consider friends now. Helping run the chapter was enough to keep anyone busy, there was a huge learning curve and coming to the board for the first time, then being voted in as Vice President, it was a trial by fire for sure. But worth it and I’m excited to keep working with ASMP-SoFL in 2013. I also have to thank 2012 for a barrage of new clients. Working as a photographer means spending a lot of alone time in the studio/in front of the computer/etc. Getting to meet new people, new clients, and interact with them is a huge highlight of being a photographer. This year I had the pleasure of starting relationships with so many wonderful people. People I would be thrilled to spend time with off the clock as well as on. I know I had a blessed year when not one of the clients who hired me did I have a difficult time with. So thank you to all who found their way to my studio this year! Not to be discredited, my existing clients. Year after year I’ve had the pleasure of watching some small businesses become big companies, some big companies transition gracefully, and I love all of it. These clients come year after year, month after month, and some week after week and are the lifeblood of Kate Benson Photography. If their companies suffer, so does mine. Happily 2012 was a great year for them as well and I congratulate all of those amazing teams of people for doing so well and being so awesome to work with. Naturally, no one knows what is in store for the future. I’m optimistic that 2013 will be another great year. Life can change a lot in a year, businesses can change even faster. I hope for everyone to have a Happy New Year and pray that 2013 will bring happiness and fulfillment to you all!

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03/5/12

PDN’s 30 is out

Since college I watched PDN’s 30 (previously 30 under 30) as the landmark of who to watch emerging in photography. Over the years they dropped the under 30 requirement (which was always loose anyway). I turned 30 this year, guess I still have time….

Kill some time browsing the winners and the amazing work they are producing!

PDN’s 30

One of my favorites, this Mark Fisher of Fisher Creative image:

Mark Fisher from PDN's 30

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06/17/11

How to Pose for a Photograph – Overview of Femfessionals Luncheon

Thanks to everyone who came out to the luncheon today! It was great getting the opportunity to speak to you as well as meet so many wonderfully motivated ladies! Got to love Femfessionals!

As promised, here are notes from today’s speech “Your Face, Your Brand {How to look your best in front of the camera}”

Intro:

Photo of you are everywhere.  It’s your bio, your email signature, your LinkedIn, Facebook, Twitter profile, you name it. With more and more business happening virtually your online images are there representing you making it more important now than ever to have a great photo. Naturally you want to be well represented! Having the right photo could make or break a potentially strong career move.

There are 2 types of photos we are talking about here, the casual ones that you may or may not know are being posted (the society pages of magazines, or Facebook for example) and the formal portrait (the one you would prepare for and use for bio’s and profile images).

A little about me:

I grew up in a small farm town in NH. Luckily from a young age I excelled at art and found my way to the prestigious Rhode Island School of Design where photography found me. Upon graduation, I took the next natural step and started interning for successful photographers who occasion illustrated that being professional doesn’t always mean acting morally. This left me in a conundrum, how was I going to learn everything I needed to know about photography without putting myself in the vulnerable situation that interning required? Hence the birth of my modeling. I am very lucky to have been able to go this route in because it offered incredible insight to what happens in front of the camera as well as behind. Being a model allowed photographers to open up to me about their lighting, camera’s and technique that as an intern I was viewed too much as competition to be told. Getting to be friends with the owner and bookers at my agency helped me learn the in’s and out’s of the business side of this industry. Posing, smiling, and moving were just some of the things I learn how to do as a model, but most of all, being in front of the camera taught me the empathy I have today for everyone that has to go there. I assure you, even as a model being in front of a camera is incline to be somewhat unnatural.

Being in Front of the Lens:

Over the 5 years I’ve been shooting here in Florida, the years of modeling in the Northeast, and even the years of being a student I have learned many things about photographing and being photographed. If there is one thing that everyone takes away from here it’s this: celebrity, model, politician, blue collar, white collar, almost everyone starts out clueless on what to do to take a great picture. Let’s look at celebrities for a moment. We see beautiful women on the red carpets looking amazing in these beautiful gowns, all done up. But let’s look closer….

KateBenson_RedCarpetPoses2KateBenson_RedCarpetPoses1

Not exactly original are they? Celebrities work with professionals who teach them how to stand, smile, turn their heads, and well, look just about perfect for these photos. When you do see an alternative pose on the red carpet often it’s not the photo op moment. When a celebrity is making eye contact, posing for these shots they are doing exactly what they’ve been taught to. Everything is deliberate and practiced. It’s not a bad thing either! This is what we are here to learn, how to optimize our posture, smile, and pose so we too can take the best photo’s possible.

Let’s start with Casual Photography:

Everything you learn about casual posing applies to formal photography posing as well. In formal photography you have a photographer coaching you though so you can relax a bit more. But these tips will help you next time your being photographed at an event, out with the girls, or anytime a non-professional is taking your photo.

1. Relax when that camera comes out! It shows if your nervous, stressed or thinking about something negative. I always ask my subjects to think of something that makes them happy.

2. Hold your arms away from your body. Whether it’s on your hip like so many celebrities or relaxed by your sides, squishing your arms against your body will not make them look small.

3. Stand up straight and tall. Imagine someone has a string attached to the top of your head, now imagine they pull that string, your spine should straighten out, your chin should become parallel to the ground.

4. Tipping, tip your hips back from the camera a bit. Not a lot, if over done this will look really awkward but by pulling your hips away from the camera you will flatter your middle and rear.

5. If your sitting, work your angles, almost anyone can have a double chin if they hold themselves a certain way. Pay attention to where the camera is shooting you from and try to look up at the camera and push your chin forward.

6. If your standing and it’s a full body shot, get on your toes. Heels are great for this because they make our legs look longer. By having pointed toes the legs naturally look more toned and longer.

7. Be confident. Keep breathing! It’s amazing how easy something so neccessary is to forget! After your body has gotten into that position take a deep breath and exhale, you will naturally settle into your pose better.

Let’s break down the smile:

A fake smile is easy to spot. We can get scientific about that (A Duchenne smile involves contraction of both the zygomatic major muscle (which raises the corners of the mouth) and the orbicularis oculi muscle (which raises the cheeks and forms crow’s feet around the eyes). A non-Duchenne smile involves only the zygomatic major muscle. “Research with adults initially indicated that joy was indexed by generic smiling, any smiling involving the raising of the lip corners by the zygomatic major…. More recent research suggests that smiling in which the muscle around the eye contracts, raising the cheeks high (Duchenne smiling), is uniquely associated with positive emotion.”) For more see the wiki article. Or we can say it in layman’s terms, if your not smiling in your eyes your not really smiling. In photo’s we can’t hear you, a great way to fake a smile is to laugh out loud. Either at the start of the fake laughter or at the end when you are smiling because it felt silly to do there’s a keeper of a smile in there. This is why photographers are always telling jokes. They catch you off guard and you relax and smile when you hear them. If your at a party though and the party paparazzi photographers are coming around, they’re not usually quite as clever so take charge of your smile yourself and bring it into your eyes!

The Formal Photograph Breakdown:

So your ready to take the step to having a solid portrait taken to represent you. Great! Let’s talk about how to get the most out of it!

1. Know your budget + what you need the photo for. Whatever you have to put towards it, know how much you can afford. You shouldn’t go broke getting this picture but you shouldn’t trust a cell phone camera in the backyard either. Knowing what you need it for, as specific as possible (social media and online bio for company website for example) gives the photographer all the information they need to give you the right price. You don’t want to pay for using the photo in an full page add in Forbes if you don’t need it for that.

2. Find the right photographer for you. PLEASE, look at their websites! Check out their Yelp listings! If you like their work and they are well reviewed give them a call. Ask about rates but also don’t be afraid to tell the photographer you budget if they are above your rates. We are all business people and there are ways for us to work with almost any budget. But don’t let the conversation end there. Ask about retouching, try and just chat with them to see if they have a personality that matches what you want to work with. Ask about hair and makeup, if they have someone onsight ask to see their portfolios. If they don’t what do they suggest for taking care of that. Odds are it will depend with your budget.

3. Find images you like online and send them to your photographer before the shoot. This is how you can tell your photographer if you want indoor or outdoor, natural light or studio light, and what the general mood and posing are of how you would like to look.

4. Take care of yourself leading up to your photoshoot. Drink plenty of water the day before, don’t go to a party and drink and stay out late. Get plenty of rest.

5. Eat! Depending on the time of day we have different food needs. A morning shoot you should eat breakfast before coming, but not something high in sugar that you will have a crash from. If your shoot is after lunch be careful of eating too much for lunch. Odds are 2/3 of what you would normally have for lunch is what you want on the day of your photoshoot. Too many times a large lunch has left me and/or my models, makeup artists, stylists, you name it, feeling tired and lethargic. But absolutely eat something!

6. Trust your photographer. The goal is to get a lot of different great options. If your photographer asks you to pose in a way that you don’t think will look good, give it a shot. Having a bad frame is not a bad thing! Being a perfectionist myself I know that I want every frame to be a winner but it’s just not going to be the case. You will blink and you will have a few times that things don’t look good. That is okay! As long as your willing to try new things and pose new ways your photographer will find your best angles and take the best photo possible.

7. Have fun. Your not working, laugh, relax, feel free to do something silly to throw your photographer off! Odds are we’ll all laugh about it and the whole mood of the shoot will stay light and fun.

Conclusion:

Hopefully some of what I’ve said here will be useful. Remember practice makes perfect and so go ahead and get in front of a mirror for a bit. Smile a few different ways, see how it looks with and without a smile in your eyes. Try a few different poses. Perhaps you’ll find a great angle you didn’t know you had. Try it out next time someone is taking your photograph! It’s important to make a great impression with everyone who see’s you and so much is happening today online that we shouldn’t overlook our virtual images! I’m always happy to answer personal questions, and thanks again for being here and listening!

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06/7/11

Kickstart

It is harder and harder to keep up with the ever changing world we have access to today. Something amazing could be around for years before you or I ever hear about it. So forgive me if you have, I had too but not really while paying any attention to what was being told to me.

http://www.kickstarter.com/

This is an amazing project, I found through my college (Rhode Island School of Designs) alumni LinkedIn group. It seems not being in school slows the passing along of information too. Kickstarter is a website where artists of all types (visual, audio, textual, etc) can pitch dream projects (or projects they just started thinking about) and collect funding for it in return for promises of gifts. If the artist doesn’t reach 100% of his or her goal funding, no one who promised money is on the hook for any monies promised. But if they do reach 100% of their goal they thank you for your faith and support in them with presents that vary based off the level of funding you gave. You dreamed of traveling the world and taking pictures, here you can see if you’ve got what it takes to generate a following of supporters who also want to see what you can create.

The possibilities have the wheels in my head turning…. those long lost projects I hoped to one day make but let me thoughts turn to something else when the actual up front cost of follow through left me staggering for air. It’s like getting a grant from a hundred people who believe in you. HOW AMAZING!?! Then if you find someone and say, “man! I would love to get a print/book/see an exhibition from her/him!” you can donate and if the artist meets their goal you get that as a thank you. I’m sold.

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05/27/11

Photography equipment unavailable?

Have you looked into purchasing new photography equipment lately? Your finally ready to buy that Canon 5D mark II? Or perhaps a new lens? Having a little trouble?

Last week I picked up the 100mm Macro 2.8L from B&H, and as with most of my lens and camera purchases I suffered a huge internal debate as to if I really needed to buy this. As I’ve posted before I often rent my equipment from BorrowLenses.com but I’ve already rented this lens before and how many times can I justify renting it before it’s worth buying? So I did it, picked it up. No regrets. Done. If I had heard any of the things last week that have come to light this week I wouldn’t have hesitated as much to buy the lens!

Perhaps it’s because of this recent Canon Lens purchase that my awareness is heightened, or perhaps it’s just because this is a new week, but this week has been the week of where the @#%^! is the photography equipment! Guess I got lucky because I know where all my photo equipment is. But having two of my friend (Matt & Nami) in the market for new cameras I’ve noticed they are having a problem. Come to think of it, everyone is having a problem or will be soon (myself included). And this problem is not getting better or going away, it’s getting worse!

Wednesday night I went to a great talk by Seth Resnick, a Canon Explorer of Light (living the dream Seth…. living the dream.) sponsored by ASMP. He mentions this gear shortage.

Look familiar?

Look familiar?

It will only be getting more and more common. Resnick said that after the Earthquake-tsunami-meltdown tragedy Japan’s camera power players Canon and Nikon are both barely running. One of the hardest obstacles for the companies to deal with is frequent power outages at the factories. If you haven’t guessed, this means little to no new production. Resnick was told “if it’s not at B&H, it’s not going to be anywhere” and that delays “could be as long as a year” in getting everything back on track. I  would guess that pertains to after the current supplies run out. But it is as bad as it sounds. Already your seeing the only big player selling the 5D Mark 2 is Andorama, and it’s about $200 more than it would be sold for at B&H, if they had it in stock.

Want to play a disturbing game? Go to B&H’s website, search for Canon L series lenses. Looks fine and dandy for the first page, but about 2/3 down the second page the unavailable items start, then continue through the end of the 3rd page. That means about half the L series lens inventory is already gone from B&H till Canon works out the kinks and gets product again. Scary, I  know.

PDN has some great reading on it and recommends a VERY useful site is www.nowinstock.net where you can see who still has inventory.

Guess if anyone is sitting on used equipment, the time to sell it for the max amount is just about here. Or if any of my readers are on the fence about purchasing new photography equipment just the rumor of this being true should move you to get it while you can. Good luck everyone. Now all we can do is wait and perhaps be a little more careful with our equipment.

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