Jewelry photography Tips: How to improve your website photography | Professional Jewelry Photographer Kate Benson

by katebe | Dec 3, 2018 | Jewelry, Tips & Tricks

You have just taken the first step in elevating your jewelry photography. Hopefully you will find some of these jewelry photography tips helpful.

They were written to speak to a wide audience so feel free to skip around if you like!

With your jewelry photography, you may be doing it yourself, or working with a photographer and not getting what you want. To get started, here is is a video of what a lot of jewelry photography looks like (although not how all professionals do it) and some of you may watch this video and say, “I would be happy with jewelry photography like that!” while others have had photography like that and are looking to elevate it.

Regardless of your situation, there are ways to help improve your images. You’ve put a lot of time and energy into designing your pieces, and you want your jewelry photographs to reflect that! Here are 8 tips from a professional jewelry photographer to help elevate your photos.

Tip 1: Have Your Pieces Professionally Polished and Cleaned

Before you bring your jewelry pieces to a photoshoot, make sure to get them professionally polished and cleaned. This will elevate your images because they will look almost new and flawless. When looking at a jewelry image, the camera is much closer to the piece than the naked eye would be. This means the image will show any scratches or flaws in the jewelry that otherwise would not be noticeable. Many of these blemishes a professional photographer can edit out in post production. However, keep in mind that your photograph cost is equal to how much time is spent on your products. If a photographer needs to spend a few hours retouching your images, then your per image rate will be more expensive than if you had your pieces cleaned and the photographer had few corrections to make.

Professional jewelers will be able to polish your jewelry and remove most scratches, too.

For example, when jewelry photographer Kate Benson worked with estate fine jewelry for Fine Art Auctions Miami, they would have their pieces professionally polished and cleaned before each shoot. These were mostly worn pieces from private collections. This helped to elevate their images as the product looked as good as it was going to before she photographed it. The images were requested to not be deeply retouched as the buyers needed to see the real state of the jewelry. So getting it well cleaned and polished was critical!

Tip 2: Don’t Wear Jewelry You Want Photographed Before a Photoshoot

Staying along the lines of getting your jewelry professionally polished and clean, is not to wear any jewelry you want photographed. It is tempting when you create a beautiful piece and have the chance to enjoy it yourself to put it on. However, wearing jewelry before the photoshoot exposes the pieces to risk that isn’t needed such as, scratching the pieces, fingerprints, dusts, etc. All of that will increase the likelihood of the pieces needing to be cleaned professionally or be subjected to more retouching.

If you are looking to clean your jewelry yourself, here is a video taking you step by step. Note: This process will not help to remove scratches.

Tip 3: Review and Carefully Select the Pieces You are Going to Shoot.

Manufacturing defects can happen. When picking out which pieces to photograph, check for everything. Some of the common issues that come through photography studios are:

Crooked jump rings
Loose stones that can fall out
Scratches or dents
Broken clasps
Inconsistent assembly of pieces (for example, logo tags changing the sides of the pieces they are on).

By taking a close look at your jewelry and confirming the pieces are in the best shape possible you will save on retouching time. If you are working with a photographer, send more than one piece of the same jewelry to the shoot, so the photographer can pick out the best looking one.

Tip 4: Plan Art Direction for Each Image You Need Before Your Shoot

Whether you are building a website from scratch or creating an ad campaign, plan out every shot you need before shooting and make sure your pieces work for that shot. This is more important if you are working with a photographer but having things mapped out keeps each angle of each style piece consistent to how you want it to be. When putting images on a website you don’t want the angles of jewelry to shift. You want the website to look consistent and seamless. Having these guides will keep you from shifting what the images look like.

If you are working with a photographer, letting the jewelry photographer know what you want is crucial to getting the photographs you need. Map out with images (either through testing with your photographer or collection inspiration on you own) what images you like. The photographer will want a guide of how you want each shot she/he is taking to look (roughly). From there, jewelry photographers can have a place to start and offer suggestions of alternative options for lighting, angles, etc. where they see something might work better. Most photographers expect to have a conversation about this before the shoot. During that conversation, consider that a jewelry photographer has seen a lot of product like yours before and has an idea already of why some pictures work better than others. Take long chain necklaces for example. How far do you zoom out for your image to show such a large piece? Too far will not show the details of the necklace. A jewelry photographer might suggest either including a zoom feature on your website so customers can see those details clearly, or to add detail shots as secondary images of your piece.

Keep an eye out for future blog posts on how to create moodboards and shot lists for art direction.

Tip 5: Keep it Consistent

Regardless of if you are shooting yourself or a professional jewelry photographer is, use a tripod and make sure the jewelry isn’t shifting/moving around when it is photographed. For example, hanging necklaces might sway for a while, so either place something behind them or wait until they stop moving before shooting. Regardless of if you are using natural light or not, make notes about what the light values were. If you have studio lights, write down their values, positions, and modifiers. If you are shooting in natural light, record the time of day, the weather, etc. Light will change color when it is cloudy or sunny. You want to be able if you are shooting yourself to go back and recreate the setup you have next time you have new pieces to shoot.

If you have a professional jewelry photographer, confirm that he/she is taking steps to recreate your setup when you have more product ready to send. Product photographer Kate Benson had this to say on this topic, “Consistency is one of the reasons I don’t often select to shoot product in natural light. It can be a beautiful atheistic but after spending a decade working in South Florida where the weather changes constantly chasing the light values, temperatures, and adjusting modifiers to correct for clouds/sun slowed down work and created too many variables and hence, inconsistencies. I prefer to create natural light in studio now when clients want that look.” She explained that each client has their setups and lighting recorded through pictures and charts so whenever they send product again it will look like it was shot at the exact same time once it is on the website.

Tip 6: Matte vs. Shine

Jewelry is a finicky product to shoot. It acts like a mirror, reflecting everything. So what is reflecting in the metal is as important as what isn’t reflecting. Obviously you don’t want to see the yourself/the photographer and camera or objects from around a room in your jewelry but you may need to see something reflecting in the metal to make sure it looks right. If you have a matte finish on your jewelry you can get away with a lot more but when the jewelry has a shiny reflective finish then not seeing the right thing will look matte. Knowing how to put the right reflections into metal could make or break your sales + returns. If customers think they are buying a matte finish piece and get something shiny they could be very unhappy. So being accurate is very important. Pay close attention to what the jewelry looks like in your setup. You may need to add some reflections to make it look right!

Let’s revisit the first video about taking photographs using a light tent. A light tent is a great way to minimize any reflections. Your jewelry will be surrounded by plain white fabric on all sides, with the exception of a camera hole. The only reflection you’ll have is from your camera. It sounds counterintuitive, but the problem with a light tent is that you have no reflections. This gives jewelry a matte look, instead of the shine that looks great and gives pieces shape. Jewelry photographer Kate Benson has been shooting jewelry for over a decade, and she uses a variety of papers, scrims, modifiers, and lights (and almost never a light tent) to make the setup completely adjustable for each piece as necessary. “I have better control over the reflections in each jewelry piece this way. If I’m shooting rings that are different sizes, I can make small tweaks in the lighting setup to make each piece look its best. If I just put one on after the other, and didn’t make any adjustments, the reflections could look wrong.” Here’s an example of a piece of jewelry shot in a light box versus a controlled studio setup.

Bracelet shot using a light box by anonymous photographer

Bracelet shot in studio with a custom lighting setup by Kate Benson

Tip 7: Test it Out

There is a rumor that Vogue Magazine makes 5 different covers for every issue and then sends those covers out to a group of design talented beta viewers who will vote for the cover they like best. Regardless if that is true or not, that concept is a great way to elevate your jewelry photography. Whether you plan on using the photographs on your website, in mailers, or for banners and billboards, creating a few different mockup versions and seeing which ones look the best is sure to improve your photography usage. If you have a single piece, try seeing if your jewelry photographer offers a test shoot option where you can hire her/him to explore a few different photographic options to see what works the best.

Tip 8: When in Doubt, Hire a Professional Jewelry Photographer

This is probably the fastest way to improve your jewelry photography. Keep in mind, hiring a professional photographer is not the same thing as a professional jewelry photographer. True jewelry photographers will pay close attention to what your jewelry is, what it needs to look like, and will make sure it all translates beautifully in the photography. You can estimate the per shot rate from a professional jewelry photographer in the range of $30 – $80+, which is extremely dependent on what type of jewelry you have, and how many pieces. If you have a ring that you sell with different colored stones on it, it might be possible to recolor the stones, and you might be looking toward the $30 range. If you have fine jewelry that needs a specific lighting setup per piece, you are looking at the higher end of the spectrum. Jewelry photographer Kate Benson recently did a shoot for a client with a high volume of images needed for the brands website and Amazon and was able to get the photography for under $20 a shot with testing because the volume was so high.

Many professional jewelry photographers will not give you this per image rate, but instead quote you based on an hourly or day rate. This way, they have the time they need to get your pieces to look stunning. A lot of work goes into a jewelry photo, including initial prep (like extra polishing), styling (especially difficult with chains), test shooting (if you needed it ), shooting (and lighting adjustments as needed), then retouching. If you receive a per shot rate, confirm that you know the final photography you are getting includes all the elements you need. Make sure every part of the shoot is spelled out before they do the work for you. The last think you want is to hire someone to do a shoot for you and then realize you needed background cleanup, more retouching, clipping paths, custom file sizes, etc. If you hire an hourly rate photographer you can always go back and ask for these things and they can invoice for them after but if you have a per shot rate this might not be included. Over communicating to the photographer is better than under communicating! It takes time but is worth it to avoid any issues later!

In conclusion

There are many factors that can increase your chances of getting the best jewelry photography for your brand. Be confident in what you decide to do and remember that if you try one way and it doesn’t work, you can try something else. Leave any questions you have in the comments and Kate Benson will get back to you ASAP!

Charleston Fashion Photographer | Kate Benson | Zacasha 2016 Boho

by kate benson | Aug 9, 2016 | Professional Photogr..., Charleston advertising..., Charleston Fashion Pho..., Fashion, Product

How do I talk about Zacasha? Do I write about the designs that you can’t help but want to collect all of? Do I talk about how fascinating a business Jennifer created and how it just exploded into something bigger and better than anyone ever imagined? I guess you have to know Jennifer the owner and designer to know what Zacasha really is. Working with her free spirit and creative mind is like chasing genius. You can try and follow along as best you can but will never catch up. She works and reworks everything she contacts and you can’t help but be swept up in the spirit of this creative process and applaud the art it produces.

I shot their 2015 campaign and this spring (yes, it’s taken that long to write about it) I photographed the 2016 campaign. Jennifer had 2 days of shooting, a Boho day and a 1920’s day. These are a few of my favorite images from the Boho day.

The colorful free feeling of the boho shoot mirrored Jennifer’s spirit. It was such a privilege to work together again. Jennifer on top of being a very talented designer and business woman also is a fantastic stylist and art director.

I have to start with those shots of Tamara from Elite Miami. Tamara really got excited at the casting, her boho energy matched the brands, and on set, she moved and danced in the true spirit of the shoot. She chameleons into the character you give her and won the hearts of everyone on set.

Our second model was the gorgeous Jade from Wilhelmina. Her exotic beauty was a perfect canvas for both our shoot days.

There were way too many beautiful shots to choose from, I shot close to 2,000 photographs that day. So as you can imagine, the idea of going through them all and choosing favorites has been overwhelming!

So here are just a few more, and maybe, with any luck, I’ll get to go through these later and find my true favorites. In the meantime, let me know which of these is yours. I’ll take any help I can get editing this batch!

This last shot really captures how I feel trying to pick a favorite.

Charleston Fashion Photographer | Beija Flor Jeans shoot | Kate Benson Photography

by kate benson | Aug 1, 2016 | Charleston advertising..., Charleston commercial ..., Charleston Fashion Pho..., Fashion, Product

If you saw my post with my new business card designs (or my Instagram), you may spot a familiar shot or two here. These were shot for Beija Flor Jeans and the product is truly great. I’m anxiously waiting for it to cool down so I can wear my 3 new pairs (yes, 3!!). These flatter your behind like nothing I’ve seen before, and who doesn’t want that (sure beats that time I bought Burberry Jeans a size too small so my booty would look awesome and broke the zipper)?

I was on set in Miami when they called to discuss a new add campaign. They wanted to do something in the Charleston area but were still playing with ideas. Ironically, when they first suggested jeans on a boat, I was not on board (pun intended). However, the mother/daughter team behind Beija Flor patiently discussed the in’s and out’s of the brand with me so I could help conceptualize the project. There was no formal art director on this shoot so I wanted to make sure that I could deliver the company’s vision and energy. What came across to me clearly was that these jeans were something women had been waiting for. The cuts lifted and accentuated all the right curves and the waistline was high enough to move around in without being restrictive. The product is great and I identified with it quickly!

Part of what the ladies emphasized were their colors. Blues and whites dominated the brand’s palate and soon it became clear that a boat was exactly where to shoot.

Early morning I joined our model Brittany Harvey (with Directions USA), makeup artist Pamela Lesch (with Prime Time Pretty), and the Beija Flor Jeans team, Kathy, Emilie, and Anna at the hotel and then headed over to our fishing yacht.

Throughout the day, the rain held off and gave us some beautiful light. Brittany looked amazing in the jeans and did a fantastic job modeling. She really embraced the energy that fit the brand.

As always, I’m so excited to have new work to share and am really happy to have met and worked with Beija Flor Jeans. I love being a based in Charleston fashion photographer!

Charleston Product Photographer | Amazing Amazon Photography

by kate benson | Jul 27, 2016 | Professional Photogr..., Advice, Charleston advertising..., Charleston commercial ..., Charleston e-commerce ..., Charleston Ecom photog..., Charleston Ecommerce p..., Charleston Photographer, Charleston Product Pho..., Charleston Still Life ..., Charleston website pho..., Charlotte product phot..., e-commerce photographer, Ecommerce Photographer, Product, Product Photographer C..., Still life photographe..., Still Life Photographer

It may not be common knowledge but I have a second business and website that I’ve been building called Product Photo Lab (PPL for short). The website is still in the works, but there is some basic content up there. Finding openings in my schedule to fix and revise the work in progress that is PPL is really tough. Recently though, despite the website not being as ready as I would like it to be, I’ve been getting contacted and doing some work through it. This isn’t my usual work, as you already may have guessed by the title of this blog post, but I’m really excited that the website is starting to generate some calls, and therefore enthusiastically making time to do the work.

One of the unexpected places that I’ve been contacted to produce images for is Amazon listings. These shoots are usually pretty quick but the clients are looking for something a bit more refined to help their products stand out and hopefully get that coveted number 1 ranking on Amazon.

I’ve learned quite a few of tips on how images sell on Amazon in this process. Products in environments and in use will generally outsell those that are just plain white shots. Additionally, Amazon does require the first shot to be on an all pure white background (which has some specifics to it as well, most of my readers already know what “pure white” is but if you don’t, it’s is a rating of 255 in all color channels). So this has presented interesting challenges (which I love). One client, had a glass water bottle that he sold as a set of 6 and single. Here was what the bottle started with:

Photographing a clear empty bottle isn’t very flattering. So I filled it with water letting the light gradient throughout the inside (trick one).

Then we put very carefully selected liquids into the bottles so the colors wouldn’t get dark and murky (trick two).

Lastly, I asked how he felt about fresh plants in the bottles, which he seemed willing to entertain, and viola!

I was able to product a collection of photographs for him where the shots met Amazon’s specifics but the shots had enough color and vibrancy to pop off the page when compared to other bottles! Happily, he is already on page 1 for his requested search terms and selling like crazy! After discussing what the client needed, I composited 6 of these shots together to create his opening image on Amazon. Here is a look at what he sent me for art direction (also what the competition happens to be showing).

This is what his listing looks like this today:

As I mentioned before, I’ve worked with quite a few Amazon clients lately. Here are a few more shots just to give you an idea what being a product photographer in Charleston is keeping busy with!

This client wanted in environment and shots with a model using the product:

Product Photographer Charlotte and Charleston | From Dallas with Love | Crown & Buckle with Motto

by kate benson | Jul 22, 2016 | Advertising, Charleston Fashion Pho..., Charleston Product Pho..., Charleston website pho..., Charlotte product phot..., e-commerce photographer, Ecommerce Photographer, Product

Flash Back Friday today bringing you the final product photography for Crown & Buckle’s new Black Label line. I shot this earlier this year on studio location in Dallas TX. Thomas, proud owner and visionaire behind Crown & Buckle teamed up with superstar branding agency Motto to bring me in on this shoot. Sunny and Ashleigh from Motto had a strong vision for the sleek and sophisticated images that needed to be incorporated into the launching of Black Label. Crown & Buckle makes beautiful watch straps and we wanted to make sure that the photography for this line illustrated the quality of these products.

I’ve had the pleasure of working remotely with Motto before but this was the first time we were able to all get together on set. It’s great that I can work with clients from almost anywhere in the country without having to be there in person, but this shoot Motto wanted to be on set for and they really brought their vision with them. It was a great day!

Since the product C&B sells is straps (not watch faces) we had the intriguing challenge of making sure the straps were the star of the shots. As a product photographer, I always hope to get to do this kind of work because it is equally challenging and rewarding to do.

That day, as well as within a short time after (back in Charleston), I photographed images on brand for their website and social media pages. This is the final product: