Update on the fine art prints for Imoto, Palm Beach

My prints for the Palm Beach new restaurant Imoto were due to be finished today, I drove down to Color House in Miami to do one last quality control and two of the three prints looked great. But the third print was a little off (they caught the mistake before I got there but this is why you have to check over everything you do) they had already started removing it from the plexi mounting. There is a  reason they tell you it is a permanent adhesion to the Plexiglas when you frame this way. Removing the print completely ruins it and takes 3 guys. It was awesome. This was one of the rare times I actually had my point and shoot Panasonic Lumix with me and so I grabbed some photo’s and a little video of the process to show how messy it is.

Gregory Crewdson, Brief Encounters

From the first moment I was exposed to Gregory Crewdsons work it was love. Sitting in the auditorium at Rhode Island School of Design, midway through my degree, Crewdson in an honest, brilliant speech opened my eyes to another side of photography. He was admirably honest to even the most invasive questioning (“exactly how much money to you make on a photo and exactly how much does it cost to produce one?”) his haunting photography has sat with me ever since. His, is an intriguing story of personal development and the path he followed to this type of movie production photography was one of very hard work. To say that I am excited to see Brief Encounters would be an understatement. Often I find myself watching behind the scenes or stories of photographers to catch glimpses of their production in hopes of learning a tip or two. With Crewdson there is no chance of this. I know that watching will do what listening in that lecture hall did, leave my mouth agape, staring in disbelief at the story of a man whose photography is as surreal to create as it is finished.

 

Wallpaper Wednesday Resurected!

 

Lets see if I can stay on the wagon posting these here. It’s after 5 on Wednesday, but it is still Wednesday. Can anyone guess where this was taken? It’s not what you would expect!

Wallpaper Wednesday

On Thursday, after I didn’t have time to put one up last week too. So I get an “F” at Wallpapers this month. Maybe your November is too busy also and you haven’t noticed. Or maybe you loved the Sedona, AZ wallpaper so much that you were happy to get it for an extra week. Well, I’m flattered. Here is another one for you to enjoy since you enjoyed the last one so much.

Share worthy.

Andreas Gursky, Rhein II (1/6)

From The Online Photographers post yesterday, this was too good to not share (thanks to Dana for sending it along to me).

We have a new winner in the “$12 Million Shark Sweepstakes.” In a smack down of the piker owner of the paltry $3.89 million Cindy Sherman picture that held the record for mere months (since May), a German collector sold one of six copies of Andreas Gursky’s 1999 work “Rhein II” at Christie’s yesterday for $4,338,500 (including buyer’s premium).

And by the way, it’s a Photoshopped pic—there were elements in the scene Gursky didn’t like, so, in his words, “I decided to digitalize the pictures and leave out the elements that bothered me.”* (A. Gursky quoted in A. Ltgens, “Shrines and Ornaments: A Look into the Display Cabinet,” Andreas Gursky: Fotografien 1994–1998, p. xvi). “Like the painter, Gursky constructs his composition, removing all small arbitrary details interrupting his clean horizon.” (Peter Galassi, MoMA.)

It’s now the most expensive photograph ever. Of course, the clock is ticking—for how many months will this record last? Be afraid, Herr G., be very afraid….

—Mike, who’s definitely in the wrong end of this business
(Thanks to Howard French)”

Can I just say there is something to be said for a digital, photoshopped, unarchival image setting the record for highest price ever paid for a photograph? Imagine what a photo that would last more than 50 years would bring in!

The comments were hilarious, here are a few of my favorites:

Featured Comment by Jenny: “The level to which I don’t understand things has been brought to a record height.”

Featured Comment by Will Whitaker: “Gursky who?? Nevermind.

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