Celebrity Portrait Photographer Miami Kate Benson | New York Mets’ Jacob deGrom

Last week I had a photo shoot with Jacob deGrom, the New York Mets pitcher who was the National League’s Rookie of The Year in 2014. We drove up to Tradition Field in Port St. Lucie where the Mets have their spring training to meet with Jacob. The photos were to be used for the New York Observer and they wanted two different looks: one in his Mets uniform, and one in his regular street clothes. We had access to the field, the stands and the locker room, so we had to decide where we could best capture Jacob’s personality.
We arrived at the site about two hours before Jacob was to arrive because we wanted to check out the location and lighting options. It is difficult to plan for outdoor lighting at 9 in the morning when you will be shooting at 11 because the angle of the sun changes drastically, but we did the best we could. We only had 20 minutes to shoot Jacob, so we didn’t want to waste any time at all configuring lighting or finding perfect angles while he was on set. Instead, I used my assistant as the stand-in and spent about two hours testing everything so we would be one-hundred percent ready to go the minute Jacob arrived for the shoot.

Jacob walked out on the field at 11:00 on the dot. All 6’4″ of him. First off, let me say that he was incredibly nice and personable. None of his recent accolades have gone to his head. He chatted amicably, and even shared some of his hog-hunting stories with us.

We got down to business and ended up with some great shots.

Follow this link for more work by Miami Portrait Photographer Kate Benson.

Follow this link to read the article in the New York Observer about Jacob deGrom.

Zacasha On Model Shoot

On Monday we had an on-model shoot for Zacasha, fabulously elegant bohemian necklace and bracelets. The shoot went really well. Jennifer, the designer, and her team had put together some great wardrobe choices for the carefully selected pieces we were to shoot. The models were fantastic and the weather was great (except for a little too much wind). We shot on location at the beach in Hollywood, and then at a private residence nearby. Here are some of the behind-the-scenes photos from the shoot.

The private residence had a wide variety of areas to shoot in.

It was a great day and we have loads of amazing photos to sort through. We’ll share some when we finish processing them.

A huge thanks to everyone who made it run so smoothly: Jennifer – the designer Melanie – her assistant who also modeled for us Leah – Jennifer’s daughter who also modeled for us Robin – the owner of the restaurant we used as our “home base” at the beach and the private residence Alex – our “gopher” Marina – our intern Laura and Eilie – the models.

Miami Product Photographer | Photoshop – A Useful Tool, Not Divine Intervention

Post-production of photos is extremely important in product photography. In this blog, we will examine Photoshop and its uses and misconceptions.
What Photoshop is NOT: Photoshop is not divine intervention to airbrush your photo and make it suddenly incredible. There is a common misunderstanding that by using Photoshop, any photo can magically become amazing. This is most definitely not true.

What Photoshop IS: Photoshop is a wonderful tool that can help make great photos even better by modifying certain facets of the photo.

It is crucial to begin the post-production with an effective photo that conveys a compelling story relevant to the product. The old saying “garbage in – garbage out” is a very basic way of saying that if you begin with a poor photo, no amount of Photoshop in the world will be able to make that photo great. As a photographer, I do not cut corners during the shoot. I take my time and focus my energy to create the best photo possible. I am then able to enhance this photo with the various tools available in Photoshop.

Here is a list of things that Photoshop cannot fix, taken from the blog “Six Things You Can’t Fix in Photoshop,” by Shutterfinger:

  1. Camera position – if the camera is too close to the product, it is impossible to “back it up” in post-production
  2. Lighting direction and quality
  3. Focus
  4. Blurred image due to motion of the camera or subject
  5. Lost data
  6. Lack of creativity/spark/intent

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