Miami E-commerce Photographer | Zacasha jewelry

by | Feb 2, 2015 | Ecommerce Photographer, Fashion, Product

Over the course of a week, we worked for Zacasha, a prominent jewelry designer with necklaces and bracelets at upscale stores. Our team consisted of Kate, Kristin (her assistant), Jennifer (the designer), and Jennifer’s daughter. Together, we worked to create the story of this gorgeous jewelry. The pieces have an elegant Bohemian feel to them. The beads and tassels are so unique, and yet they work really well in groups. We decided it was best to tell the story in groups and develop a dreamcatcher effect.

We were lucky enough to get a few of the fabulous pieces. We wear it everywhere and everyone loves it! We get constant compliments on the necklaces and bracelets, with questions about where to get them.

These are some of the photos used on Zacasha’s website (http://www.zacasha.com/)

 

In-house we decided to experiment and play around with the backgrounds to really make them pop. This is what we came up with:

Here are some behind the scenes photos from the shoot:

E-commerce Photographer Miami | How to Produce a Professional Photo shoot, aka “What the heck do I do now?”

by | Jan 27, 2015 | Advice, Planning a Photoshoot

Everyone has to start somewhere. Chances are good that if you are reading this blog, you are wondering what the heck do I need to do to produce a photo shoot? It’s OK! No one will tell! In fact you can message me with any questions you might have. My goal is to help my clients or anyone who finds themselves needing to produce a photo shoot. Ready? Here goes!
When planning a shoot, there are a multitude of things to consider in order to make your shoot successful. As the saying goes, “The devil is in the details.” Here are ways to plan out those details to make for a successful shoot. While this is a list of important items to keep in mind, the descriptions are purposely broad with some specific examples given; your distinct needs for your shoot will require you to refine, add and/or subtract items as necessary.

Some of the very first things to take into account are your budget, due dates, the shot list, and usage. Identify the budget for the shoot, and determine how rigid it is. This will help shape the decisions you make regarding the entire production. How much flexibility do you have if unexpected costs come up? Due dates are crucial to keep in mind. When are the images needed? Understanding your time frame will allow you to work backwards in creating a schedule. A shot list is also imperative. Brainstorm what photos you will need. Does your product need to be shot on-model and/or still life? Do you need various angles of each item? How many total images do you need of your product(s)? And don’t forget to keep in mind the usage. How will your photos be used? For advertising? Internally? On the web?

The next thing to plan is the art direction. This is something that can be done in-house or outsourced, but is a significant aspect of your production. Art direction involves sourcing inspiration for your photos (I suggest collecting visual examples for this), making sure the photos line up with your company’s image, and ensuring that the photos convey the mood and environment that you want your product(s) to have. And, of course, this all dictates the type of photographer that you will use. You wouldn’t choose a nature photographer for an action shot of a model, for example. Which leads us to the casting…

Your next step involves casting and determining the details of the actual shoot. Your casting may include hiring models, stylists, hairstylists, makeup artists, and, of course, the photographer (to name a few). You may also need to hire a professional retoucher for post-production. Some photographers can do their own retouching, but it is important to determine whether they can do it well. You then need to ascertain whether you will be using a studio or a location for the shoot. If you plan to shoot on location, you will need to obtain permits or permission to use the site, and you should have a back-up plan in case of weather issues. You also need to consider your set. What inanimate objects will you need to complete the shot? What wardrobe or accessories might you need for the models? Is a manicure necessary due to close-up shots of a model’s hands?

Within the location details (whether on location or in studio) it is essential to plan food and beverages for everyone at the shoot and possibly transportation to and from the site. You may even need to provide lodging for the clients, models and/or the crew, depending on the location.

Image selection is an important part of the process. This can occur either on set or after the shoot. If the photographer shoots tethered to a computer, you can see the images immediately as they are shot. This gives you the opportunity to select your images while on set, and it also allows you to confirm that you have everything you need before the shoot is done.

After the shoot has taken place, there is still work to be done. The post-production work includes file management (naming, re-sizing, and delivering the images as digital files), as well as any retouching that may be required. When budgeting for your shoot, it is important to determine whether these costs are built into the photographer’s fee or will be charged additionally.

After taking all of this into account, the big question is can this all fit into your budget? If the answer is no, it is time to re-evaluate some aspects of your plan. Can you get a higher budget? Can you be more specific in your usage? Can you reduce your shot list? What can be done in-house?

And lastly, don’t forget about payment. When are people expecting to be paid? How long will it take your company to pay?

So, here is a quick checklist to help you plan your shoot:

budget
due dates
shot list
usage
art direction
casting
shoot details
location details
image selection
post-production work
payment

Just remember, this is a list of important items to keep in mind, but the descriptions are broad. You will need to tweak the list depending on your own needs for your shoot.

Here is a handy flowchart for your reference:

 

E-Commerce Photographer South Florida | Website Product Photographer

by | Dec 10, 2014 | e-commerce photographer, Ecommerce Photographer, Product

Last week, the on-model images that I shot for Cosabella’s Fall 2014 debuted on their website. This shoot is a great example of the synthesis of product photography in still life e-commerce and on-model photos. In this photo you can see both types of images.

Pajamas are certainly not easy to shoot due to their “comfortable” nature. There is a lot of material to work with and the structure is often boxy, which doesn’t give much shape to the garment. Here you can see the difference between the still life photos of the pajamas and the on-model shots. The still life images show the important details of the garment and the on-model shots convey a lifestyle image to the consumer.

In addition, two of my still life shots were used in email blasts. For these particular still life images, you can see how there had to be some foresight as to the placement of graphic design or text which might be inserted into the frame, so I purposely left space in the photo to allow for this.

As you can see, by elevating the photography for your website, you’ve elevated your brand.

E-Commerce Photographer South Florida | Photography Studio South Florida

by | Nov 24, 2014 | e-commerce photographer, Ecommerce Photographer, Product

Last week I moved into a fabulous new studio space. Although my old studio is extremely functional, I was quickly outgrowing it and was quite happy to find this new, larger space. It is an industrial-style studio in Fort Lauderdale’s Art District so the neighborhood is fun and funky and the space has a “New York” feel to it.

Our first shoot took place last Saturday and was quite successful. In fact, all the little details of the studio space helped contribute to the shoot. From the rustic wood tables to the vintage 1913 letterpress to the old fashioned tools decorating the place, all the charm of the studio ended up being perfect as additional features we used in the shoot.

The client was Crown & Buckle, a watch band manufacturer with products made from gorgeous leather and nylon. We had an ambitious list with 35 shots on it which included on-model shots as well as still-life photos. Our mission was to shoot their online marketing imagery that would be used as intro shots, banner shots, e-commerce shots and product shots, as well as for social media and email blasts, so we had a variety of tasks for the day.

The studio has an east-facing glass door that brings in the most spectacular golden morning light. We took advantage of the light as much as possible, shooting the watch bands on the letterpress and the conference table, which were near the east wall. We also did some of the on-model shots there as well.

The owners of the company had brought quite a few props for us to use for the shoot. Old-style American flags, Christmas lights, their tools, a papier maché mounted deer head, a mounted deer head made of cardboard, scraps of leather, and they even had snippets of evergreen trees Fed Exed down from Wisconsin (because we don’t really have pine trees in South Florida). One of the best lines of the day came from Taffney as she opened the Fed Ex package and got a whiff of the contents. “It’s like Christmas in a box!” she exclaimed.

Motto is the branding agency based in South Carolina that had recommended me to the client. While they were not physically present at the shoot, we were able to send them batches of photos from the shoot for their instant feedback. The studio also had two flat screen televisions with Apple TV, so I was able to immediately show the client the shots I took on my camera from my computer.

All in all it was a great day at the new studio and we loved getting to know the people at Crown & Buckle and Motto.

For the moment, I am testing out the new studio space for a month to see if it is going to fit my needs, but so far so good. I will be sharing the space with The Guild 5 Forty Five members Gary James, photographer, and Kim Grijalva, creative director.

E-Commerce Photographer South Florida | My “Purse”-pective

by | Nov 14, 2014 | e-commerce photographer, Ecommerce Photographer, Fashion, Product

Back in September I spent some time shooting for one of my clients who purchases vintage Chanel handbags and resells them on her website. This is yet another type of e-commerce shoot. As you have seen with my previous blogs about e-commerce photos, the product is obviously the focus, and quite often the only object in the photo. With clothing, there is typically an on-model shot as well, where the clothing is still the focus of the shoot and the model is simply a live hanger for the garment. For this shoot, the client wanted on-model shots. The focus still needed to be the handbags, however, the models needed to be dressed. So, this involved some choices in clothing and styling that did not detract from the handbags. As you can see in the following photos, the garments chosen were in basic colors which complimented the purse, typically without large patterns or textures.  Blacks, reds, and whites all helped to serve as a live background for the handbags.

Another consideration is the framing of the photo. Again, it is imperative that the purse be the focal point of the photo. By using a model but not including her entire face, you are drawn to the item instead of the eyes of the model. The model is simply a prop for the handbag instead of the other way around. In each photo above, if the photo had included the model’s entire body, the purse would not have been in the center of the photo. Instead, it would have been in the bottom 1/4 of the photo (in the case of the plaid handbag), or the top 1/3 of the photo (in the case of the black handbag).

Clearly there are many different types of e-commerce shoots and countless things to consider when shooting e-commerce photos. A few main points to remember: keep your product in mind, maintain clarity in the image, and take into account the structure of the photo.

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